2024
My solo show Fantasy and her Fantasies opened at the Future Perfect in New York
Taking its name from a line in the experimental Japanese film House (1977), Fantasy and Her Fantasies showcases Casey’s animated and painterly approach to the construction of lighting. Imbuing these Tiffany-inspired pieces with a visible sense of haptic memory, Casey allows for the implication of constant movement that occurs within a highly layered reality. When emerged in this exhibition, the viewer may experience the artist’s conceptual generosity as the work engenders an empathic form of gestural communication, showing evidence of Casey’s hand moving through the pieces.
The appearance and construction of these works is an inventive elaboration on the classic form of Tiffany lamps, investigating the relationship between authorship and labor, as Casey singlehandedly produces objects that reference lamps made in the Women’s Glass Cutting Department of Louis Comfort Tiffany’s workshop. Demonstrating the determination of a single artist, these fixtures give the illusion of stained glass, though they are materially closer to paintings. To produce each piece, Casey builds a frame from welded steel, delicately applying wire, layers of plaster and epoxy clay, before hand painting it in acrylic. She then fills the negative space of the resulting structure with hand-painted fabrics, all sourced from the collection of her grandmother, a dollmaker in her lifetime. A final application of resin to the fabric creates the impression of stained glass, giving each lamp a warm, spellbinding glow.
Enveloping her multidisciplinary background in collage, performance, video, and sculpture, Casey’s home studio merges art with everyday life and engages the history of found objects and assemblage. She draws influence from artists like Ree Morton, recognized for vibrant, humorous works that embrace domestic life and materials; maintenance art pioneer Mierle Laderman Ukeles; and her folk artist grandparents who lived and worked as carpenter and dollmaker in a studio above their antique store in the Carolina hills.
Studio Portrait by Vanessa Diaz
The Pond Lily, 2023. Steel, wire, plaster, apoxy clay, fabric, acrylic paint, resin, and lighting components.
2023
Showed with the Future Perfect at Design Miami <3
The Garden of Eden, 2023
steel, wire, apoxy clay, plaster, fabric, acrylic paint, resin and lighting hardwire.
John and Jackie, 2023.
aluminum, wire, plaster, apoxy clay, fabric, acrylic paint, resin, lighting hardwire with pull chain.
Woodstock, 2023.
steel, wire, plaster, apoxy clay, acrylic paint, fabric, resin, and lighting hardwire with pull chain.
The Grapes, 2022
Steel, wire, plaster, apoxy clay, handpainted fabric, thread and resin
on view At The Future Perfect in Los Angeles.
Part of Your World, 2022.
Table commision from Untitled Art Fair x Virgin Voyages for the VIP deck for art week 2022.
I created a fantasy vanity that visitors could take a selfie in against the beautiful beach backdrop
Cheers, 2022.
Steel, wire, plaster, apoxy clay, handpainted fabric, thread, resin, and chain.
Total Oblivion, 2022.
Solo Show at Dale Zine, Miami Florida.
Installation View
Hot House Flower, 2022. Steel, wire, plaster, apoxy, fabric, paint, resin, and light bulb +chord.
White Rabbit Clock, 2022. Polyfill, fabric, felt, found mirror, plaster, wire, fiberglass, paint, resin, apoxy, and battery powered clock mechanism.
Total Oblivion, 2022. Collage, acrylic, apoxy, and resin on wood.
2022
Clint and April, 2022. Steel, recycled foam, fiberglass, resin, paint, apoxie sculpt, and solar powered lights. 8’ x 8’ x 3’ each
For Art on the Plaza, at The Museum of Contemporary Art, North Miami, Florida.
Mushroom candelabra with Sloth
Mother Silk, 2022. Steel, plaster, apoxie sculpt, fabric, paint, and resin.
My take on a tiffany lamp shade.
Lumiere
2021
Light up Tits
Mermaid Lamp. Mannequin head, cardboard, plaster, wire, paint, resin, lighting fixture and wigs.
2020
For Evana
The Sun
Seltzer Can Candelabra
Studio View
A special moment in Time, watercolor and acrylic on canvas
2019
2016 BALANCING INFINITY WHILE HANGING UPSIDE DOWN, WATCHING LOVERS FALL FROM GRACE UNDERNEATH THE GROUND, Solo Show at Primary in Miami, FL.
Re-Imagining the Tarot through 78 collages, and extended further into sculptural assemblage.
2015
Special Project for FORM Arcosanti, AZ. A wax cast of myself that I drove to Arizona to let melt in the sun over the 3 day art and music festival.
2014 AGALMA, Solo Show at Primary, Miami, FL
Showtime
Excerpt from Richard Brautigan’s Beware of the Lawn
A vintage photo of my parents when they were 13 that I simply cut in half and placed them facing opposite directions. The act of severing what was once considered precious.
2013
Life Coach. Conceived for I Think Its In My Head, curated by the TM Sisters for Girls Club in Ft. Lauderdale. that would run for one year. Over the course of the year the balloons would slowly deflate and deteriorate. Also a fun experiment to see how many helium balloons its would take to make a care bear fly.
2012
2011
Designed for the project room at Primary ( Miami) in their first location. There was a small nook and cranny in the wall that led to this small room. Pooh bear faces the corner, as if in time out, unaware of the world of beauty that is right behind him. Ignorance is Entropy. Instrumental music recorded from one of my favorite found records plays from the TV monitor. Giving the scene an uncanny melodrama. I set out to use a box of my Nana's old jewelry, combined with all of mine I had at that point to see what we would look like together as an object. Most of my work comes from the inspiration from my grandmothers beauty.